Listening to music is still amazing today, it’s just that you’d be crazy to buy a CD. That’s not me saying that: That’s what the whole world is saying. CD sales have been declining every year for more than a decade because CDs are effectively useless in a world where digital music files are so easy to play and transfer, legally or otherwise.
That doesn’t mean there’s no worthwhile way to buy a real-world physical album. Even as the recording industry flails, vinyl is seeing a comeback. Maybe you’ve noticed this resurgence in the living rooms of pretentious friends who keep a crate full of ragged record jackets next to an old Technics turntable. At the very least, you’ve probably stumbled upon a small selection of shrink-wrapped records in trendy big city boutiques, and if not, maybe while Googling the meanings of Taylor Swift lyrics, you stumbled upon an Amazon listing for her latest record,Red, cut on 140 gram vinyl.
The renaissance of the long play record isn’t just an anecdotal trend. Even as physical record sales decline, people are buying more vinyl than they have in decades. In 2013, sales increased 31-percent to about 6 million units year-over-year. It’s not a single-year bump either, either. Sales have climbed to 6 million from after having been at about a million in 2007.
Read the full post @ Gizmodo.
I suppose I should shell out the $50 to fix my turn table before buying one of these.
The machine essentially works like a normal record player, but in reverse: It’s a record lathe connected to a CD player (or mp3, or any kind of audio file), and uses a diamond stylus to cut the record in real-time via sound vibrations produced by the playing music. This creates the master record, and cuts out all the other time-consuming steps needed to copy and mass produce it.
Read the full article @ Mashable.
Update 12/29/13: Sadly, this has turned out not to be true.
In the case of Iron Maiden, still a top-drawing band in the U.S. and Europe after thirty years, it noted a surge in traffic in South America. Also, it saw that Brazil, Venezuela, Mexico, Columbia, and Chile were among the top 10 countries with the most Iron Maiden Twitter followers. There was also a huge amount of BitTorrent traffic in South America, particularly in Brazil.
Rather than send in the lawyers, Maiden sent itself in. The band has focused extensively on South American tours in recent years, one of which was filmed for the documentary “Flight 666.” After all, fans can’t download a concert or t-shirts. The result was massive sellouts. The São Paolo show alone grossed £1.58 million (US$2.58 million) alone.
Read the full article @ CITE World.
More proof that the current system does not benefit the public:
Dozens of demo recordings, studio outtakes and some 1963 BBC performances by the Beatles are temporarily released for sale online today, in a bid to protect the rare tracks from falling into the public domain next year.
Known as The Beatles: Bootleg Recordings 1963, the release encompassed a 59-track collection.
The featured songs include, for instance, alternate takes of classics such as She Loves You, live performances of Chuck Berry’s Roll Over Beethoven and other songs, as well as demos that the iconic Liverpool band recorded but eventually passed on to other artists, including Bad to Me and I’m in Love.
The tracks were never officially released, although hardcore Beatles devotees have traded lo-fi, bootlegged versions for years.
According to media reports, Apple Records and Universal Music Group staged a brief release of the Beatles cache via iTunes in Asia, Australia, the Middle East, Europe and North America today. The tracks were then removed shortly thereafter.
Read the full article @ CBC News.