Dean Koontz SecondLife event
March 10th, 2016 by Michael Sauers

March 13, 2007
Not only has Dean Koontz completed THE GOOD GUY (coming in hardcover 5/29) but he’s also ready to read some of it to you. Dean will be appearing—rather, his avatar will be appearing—in SECOND LIFE on Thursday, 3/15, at 6pm (PST), as the first-ever “Bantam Dell Authors-in-Second-Life” event. Already a member of Second Life? Visit The Bantam Dell Book Shop in Second Life for more details. Sheep island/123/28/25

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Ashley Bell - ARC
September 11th, 2015 by Michael Sauers

The girl who said no to death.

Bibi Blair is a fierce, funny, dauntless young woman—whose doctor says she has one year to live.

She replies, “We’ll see.”

Her sudden recovery astonishes medical science.

An enigmatic woman convinces Bibi that she escaped death so that she can save someone else. Someone named Ashley Bell.

But save her from what, from whom? And who is Ashley Bell? Where is she?

Bibi’s obsession with finding Ashley sends her on the run from threats both mystical and worldly, including a rich and charismatic cult leader with terrifying ambitions.

Here is an eloquent, riveting, brilliantly paced story with an exhilarating heroine and a twisting, ingenious plot filled with staggering surprises. Ashley Bell is a new milestone in literary suspense from the long-acclaimed master.

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Dean Koontz Second Life sign
February 12th, 2015 by Michael Sauers

Dean Koontz in Second Life

March 2006

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December 19th, 2014 by Michael Sauers

Saint Odd by Dean Koontz

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May 16th, 2014 by Michael Sauers

The City - ARC

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January 23rd, 2014 by Michael Sauers

Recorded on 23 January 2104.

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January 23rd, 2014 by Michael Sauers

Dean Koontz Hangout

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October 11th, 2013 by Michael Sauers

Innocence - ARC.resized

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May 2nd, 2013 by Michael Sauers

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November 4th, 2011 by Michael Sauers

77-Shadow-Street-ARCIn case you haven’t noticed I think about Copyright. Author’s rights. Libraries’ rights. Purchasing vs. accessing. Is copying theft or not. I read about these topics. I think about these topics. I blog and speak about these topics. I don’t want to sound like I’m obsessed, but it’s something that’s important to me as both a librarian and an author.

But now, it’s starting to creep into my everyday life. For example, this morning I was reading an Advance Reader’s Edition of the next Dean Koontz novel 77 Shadow Street. Very earl in the novel I can across the following paragraph:

Blandon was one of the Jerks. He belonged in jail, but he bought his freedom by loading up on attorneys in five-thousand-dollar suits. No doubt he had also threatened to take half his political party down with him if they didn’t put their hands up the backsides of their puppet prosecutors and puppet judges to ensure that the Muppet show called justice would follow the plot he preferred.

Instead of enjoying the image of a lawyer as human Muppet I immediately thought "hey, Muppet is a trademarked term (I think). Did he have to get permission to use that? Even if he didn’t have to, did he anyway?” (Ok, technically this isn’t a copyright issue, it’s a trademark issue, but close enough to make my point.)

Sure, it’s probably fair use. But is this a Kleenex vs. facial tissue sort of situation? A Muppet is a type of puppet. Did Dean need to be that specific? If Disney sued and he changed it to “puppet” to settle the suit, would that change the metaphor? Should I be writing Muppet™ every time just to cover myself.

Oh, and let’s not forget that this is a edition of a book that clearly states “NOT FOR SALE” on the cover yet I purchased it on eBay. Sure, right of first sale and all, but is that statement on the cover an implicit license to the original owner of this copy? Did they ask for it then resell it, or was it given to them by the publisher unrequested. (Yes, that has actually made a difference in some first sale doctrine court cases.) Oh, and did you know that even though the first sale doctrine most likely applies to selling this copy, you can’t sell one on Amazon? (Their site, their rules, but I’m sure it’s because they don’t want to piss off the publishers, legal or not.)

I guess my point is that copyright in this country has gotten so complex that it just doesn’t necessarily make sense, as applied, any more. All of this makes me think of something I recently heard Cory Doctorow say which I’ll need to paraphrase as I can’t find the actual quote:

Copyright is like banking regulation. Sure we need to regulate banks and those large transactions but that doesn’t mean those regulations should kick in if I want to borrow five dollars from a friend.

Yes, copyright has it’s place but industrial grade regulations shouldn’t necessarily apply to the individual. If for no other reason that it’s starting to make my brain hurt.

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