Category: Misc

October 9th, 2016 by Michael Sauers

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September 24th, 2016 by Michael Sauers

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September 15th, 2016 by Michael Sauers

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June 23rd, 2016 by Michael Sauers

The first Nebraska Libraries unconference, November 19, 2008

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February 11th, 2016 by Michael Sauers

Monterey, CA 24 October 2010

Jelly Fish

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January 31st, 2016 by Michael Sauers

Not sure what took so long but FitBit finally e-mailed me an info graphic for my 2015 stats. Better late than never.

FitBit 2015

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January 1st, 2016 by Michael Sauers

Dynamite logo

All six issues of Prodigal Son and the three current issues of Storm Surge are currently on sale over at the Dark Horse web site. I don’t know how long this sale will last so if you’re interested don’t waste any time taking advantage of it.

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January 1st, 2016 by Michael Sauers

Not much to say other than the job change has seriously impacted the number of books I was able to read this year, but had the opposite effect on the number of books I listened to.

 2015vs. 2014
Graphic Novels1358%
Male authors13098%
Female authors62115%

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November 18th, 2015 by Michael Sauers

Skyline Arch , Arches National Park, November 2006

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November 13th, 2015 by Michael Sauers

Responsible for such landmark publications as Lady Chatterley’s Lover, Tropic of Cancer, Naked Lunch, Waiting for Godot,The Wretched of the Earth , and The Autobiography of Malcolm X, Grove Press was the most innovative publisher of the postwar era. Counterculture Colophon tells the story of how the press and its house journal, The Evergreen Review, revolutionized the publishing industry and radicalized the reading habits of the “paperback generation.” In the process, it offers a new window onto the 1960s, from 1951, when Barney Rosset purchased the fledgling press for $3,000, to 1970, when the multimedia corporation into which he had built the company was crippled by a strike and feminist takeover.

Grove Press was not only responsible for ending censorship of the printed word in the United States but also for bringing avant-garde literature, especially drama, into the cultural mainstream as part of the quality paperback revolution. Much of this happened thanks to Rosset, whose charismatic leadership was crucial to Grove’s success. With chapters covering world literature and the Latin American boom, including Grove’s close association with UNESCO and the rise of cultural diplomacy; experimental drama such as the theater of the absurd, the Living Theater, and the political epics of Bertolt Brecht; pornography and obscenity, including the landmark publication of the complete work of the Marquis de Sade; revolutionary writing, featuring Rosset’s daring pursuit of the Bolivian journals of Che Guevara; and underground film, including the innovative development of the pocket filmscript, Loren Glass covers the full spectrum of Grove’s remarkable achievement as a communications center of the counterculture.

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