British Library staging exhibition of comics in ‘overdue’ celebration of genre
Boys in the late 1970s probably assumed the girls comic Misty was all boring romance, puppies and ponies. How wrong they were. They were full of “incredibly dark, weird, psychologically harrowing” stories with “trippy and odd” artwork, said John Harris Dunning.
Dunning is co-curator, with Paul Gravett, of what will be the UK’s biggest exhibition of British comics, taking in everything from newly discovered Victorian comics to modern classics such as V for Vendetta.
The summer show, entitled Comics Unmasked: Art and Anarchy in the UK, is being staged by the British Library which holds the complete output of the British comics industry but said it had not in the past done the genre justice.
Roly Keating, the library’s chief executive, said: “It is fair to say, if we are being honest, that we haven’t devoted to that sector of our collection the scholarly and curatorial effort we have devoted to some of the higher culture parts of our collection. This year we are addressing that with a vengeance.”
Michael Sauers is currently the Director of Technology for Do Space in Omaha, NE. Michael has been training librarians in technology for the past twenty years and has also been a public library trustee, a bookstore manager for a library friends group, a reference librarian, serials cataloger, technology consultant, and bookseller since earning his MLS in 1995 from the University at Albany’s School of Information Science and Policy. Michael has also written dozens of articles for various journals and magazines and his fourteenth book, Emerging Technologies: A Primer for Librarians (w/ Jennifer Koerber) was published in May 2015 and more books are on the way. In his spare time he blogs at travelinlibrarian.info, runs The Collector’s Guide to Dean Koontz Web site, takes many, many photos, and typically reads more than 100 books a year.
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Boys in the late 1970s probably assumed the girls comic Misty was all boring romance, puppies and ponies. How wrong they were. They were full of “incredibly dark, weird, psychologically harrowing” stories with “trippy and odd” artwork, said John Harris Dunning.
