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“[How Music Got Free] has the clear writing and brisk reportorial acumen of a Michael Lewis book.”—Dwight Garner, The New York Times
What happens when an entire generation commits the same crime?
How Music Got Free is a riveting story of obsession, music, crime, and money, featuring visionaries and criminals, moguls and tech-savvy teenagers. It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store.
Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet.
Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online — when, suddenly, all the music ever recorded was available for free. In the page-turning tradition of writers like Michael Lewis and Lawrence Wright, Witt’s deeply-reported first book introduces the unforgettable characters—inventors, executives, factory workers, and smugglers—who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives.
An irresistible never-before-told story of greed, cunning, genius, and deceit, How Music Got Free isn’t just a story of the music industry—it’s a must-read history of the Internet itself.
This week HarperCollins and anti-piracy company Digimarc announced the debut of a new ebook watermarking system to enable the identification of leak points in the company’s supply chain. TorrentFreak caught up with the publisher to learn about its new anti-piracy solution and its overall anti-piracy strategy…
Called Guardian Watermarking for Publishing, the system embeds all but invisible markers into ebooks. Then, Digimarc trawls the web looking for leaked content containing the watermarks. Once found, the anti-piracy company reports the unique identifiers back to Harpercollins who can match them against their own transaction records. This enables the company to identify the source of that material from wherever it occurred in the company’s supply chain.
Speaking with TorrentFreak, HarperCollins said that tracking these pre-consumer leaks provides intelligence to prevent them happening again.
“We have had leaks in the past in the final stages of our supply chain – via isolated instances of early releases by retailers. We therefore intend to be able to track these potential leaks in the future – especially now that our digital supply chain extends to many partners in many markets,” a spokesperson said.
“[The system] empowers us to go back to the source of the problem (ie identify the source) and find solutions to prevent this from happening in the future.”
Read the full article @ Torrent Freak.
Dear Lithuanian scholar who decided that one of my books was a worthy source for your research. However, did you realize that in the citation for my book, the URL you listed for where you found it is a site for downloading pirate copies?
TINKLARAŠČIO MEDIJOS ESMINIAI BRUOŽAI IR PANAUDOJIMO GALIMYBĖS
[BLOGS MEDIA KEY FEATURES AND USE OF FACILITIES]
Daiva Janavičienė, Klaipėdos universitetas
Sauers, M. P. (2010). Blogging and RSS: a librarian’s guide (interaktyvus). FreeBooksspot; Information today inc., 336 p. ISBN 978-1-57387-399-4. Prieiga internete: aspx?Element_ID=286364> [žiūrėta 2013 07 20].
Published on Mar 14, 2014
A Netflix for pirates, lapel cameras and copyright, banning handheld devices for kids, and more. Featuring librarian Katie Fortney, the Copyright Policy & Education Officer for the California Digital Library.
Due to so many news outlets reporting on this story, Digimarc Guardian released the following statement “recently issued requests to Google to remove a number of URLs from their search index related to Agatha Christie titles being sold without license on iTunes in the United Kingdom. Unfortunately, due to a technical error, these 123 total URLs included some links related to valid iTunes content. We regret the error and have addressed the issue.”
This week we stumbled upon a recent takedown request that was sent by the Spanish division of Sony Pictures Television. The notice lists several links to the Fox’ show “Almost Human,” which they distribute locally. Most of the links do indeed point to pirated content, but Sony also requests the takedown of a perfectly legal episode on Hulu, claiming it infringes on their copyrights.
You can dismiss pirates as just being greedy and surely able to pay if they wanted, just as you could dismiss the colonist tea drinkers as greedy bastards who surely could afford to pay the tax on their English tea. And in doing so, you’d be missing the point entirely, choosing to grotesquely mischaracterize a situation in order to stay comfortable but ignorant.
“But the Boston Tea Party was about taxation without representation!”, some would say. “The copyright monopoly issue is different!”
Is it, really?
Let’s review the facts at hand. The copyright monopoly laws were constructed to benefit the public, and the public only. In the U.S. Constitution, we can read clearly that the purpose of the copyright monopoly is “to promote the progress of science and the useful arts”. Nothing more, nothing less.
Read the full article @ Torrent Freak.
Update 12/29/13: Sadly, this has turned out not to be true.
In the case of Iron Maiden, still a top-drawing band in the U.S. and Europe after thirty years, it noted a surge in traffic in South America. Also, it saw that Brazil, Venezuela, Mexico, Columbia, and Chile were among the top 10 countries with the most Iron Maiden Twitter followers. There was also a huge amount of BitTorrent traffic in South America, particularly in Brazil.
Rather than send in the lawyers, Maiden sent itself in. The band has focused extensively on South American tours in recent years, one of which was filmed for the documentary “Flight 666.” After all, fans can’t download a concert or t-shirts. The result was massive sellouts. The São Paolo show alone grossed £1.58 million (US$2.58 million) alone.
Read the full article @ CITE World.
File-sharing sites and platforms of all kinds can be goldmines of unusual information and today fans of writer J. D. Salinger will be the ones getting particularly excited. Last evening three previously unreleased stories by the reclusive American author were uploaded to private BitTorrent tracker What.cd, including The Ocean Full of Bowling Balls, a piece previously under lock and key at the Princeton University Library. The stories are now widely available.
Read the full article @ TorrentFreak.com.
A study conducted by NetNames has revealed an unlikely source for the bulk of ebook piracy: students. The online security company further revealed that the extent of piracy is even more startling, with no less than 76% of digital content meant for academic available to be downloaded free from pirate sites. NetNames searched for 50 specific textbooks across five disciplines – medicine, mathematics, science, engineering, and business – and found 38 to be available from one e-book sharing site completely free.
Experts pegged the high rate of piracy as far as academic ebooks are concerned to the high price tag that these typically cost. Some of the ebooks can be priced as high as £80 – £90, which has forced the students to look for other ways of acquiring them. The typical mindset at work here is that many of the ebooks will be of use to them for a few months to about a year at the most, which prompts them to seek other alternatives so as not to end up drawing too much from their student finance loans.
Read the full article @ GoodEreader.com.