Like most genre fiction, horror is sometimes art, often craft, and too often (thank you, Internet) crap. Since its early days, Cemetery Dance has had pick of the litter: it receives more than 5,000 stories every time it opens submissions. Recently, founder Richard Chizmar posted a call for Halloween-themed entries on his personal Facebook page: in two weeks he had 150. The publisher spurns trends (Splatterpunk, swoony vampires) in favor of atmosphere, storytelling, and freshness. “We don’t buy a lot of zombie stories,” says Managing Editor Brian Freeman. “It’s rare to find something where by page two you’re not like, ‘OK, they’re going to end up at the Walmart.’”
Chizmar and Freeman are also admirably democratic: selecting first-rate submissions from no-names over second-rate submissions from names. The result is more and more-varied voices than mainstream publishers typically corral. “Every issue of Cemetery Dance has the kind of wild-eyed, freewheeling quality that Hunter Thompson used to call ‘gonzo,’” says Peter Straub, bestselling author of 17 novels, including the seminal “Ghost Story.” The editors “have always been open to the whole range of the genre they love and, even more importantly, appreciate.
“Chizmar and his crew are willing to gamble, and they are right more often than not,” says Straub. “In any case, whatever they choose to publish is worth reading.”
Read the full article @ Inc.