Hand Illuminated Silmarillian

I’ve said it before and I’m saying it again: eBooks will never be able to reproduce things like this.


TL: I wanted to talk to you about the Deluxe edition of the Silmarillion you created. what prompted you to make it?

I created the deluxe-Silmarillion for my exam at the Academy of Arts. My first idea was to create illustrations for the Lord of the Rings, but I realized that the films had left a too strong impression upon me, so I could not work free. So I decided to illustrate the Silmarillion. The calligraphy was first planned to be reduced to one single initial for each chapter. So I studied the „History of Middle-Earth“-books as well as the Letters of J.R.R. Tolkien and especially his works as an illustrator, which give many indications about his imagination of Middle-Earth that cannot be derived from written words. I also tried to find out what inspired him lyrically and visually and I think you can put that into one word: nature.

It is obvious that Tolkien was also a lover of calligraphy, especially medieval. In the book „J.R.R. Tolkien – Artist and Illustrator“ I found a hint about a book concerning calligraphy Tolkien had read. So I bought the same book and worked it through.

That was the point where I had more and more fun in doing medieval calligraphy and finally I had to make a decision: Illustrations OR calligraphy. This was not easy, because I had made very excessive preparations for the oil-paintings, but my time was so short, that I could not do both.

I do not regret my decision, because I have made my exam now and there are still tons of studies and prepared wood-plates waiting for paint. One study in pencil I put along with these words, they show the taking of Arathorn by the Hill-Trolls. – See more at: http://www.tolkienlibrary.com/press/902-Benjamin-Harff-Interview-Edel-Silmarillion.php#sthash.jy9zWtEE.dpuf

Read the full interview @ TolkienLibrary.com.

Leave a Reply

Your email address will not be published. Required fields are marked *